17 resultaten voor "Sergei Eisenstein" tussen € 10,00 en € 50,00

Sergei M. Eisenstein's General History of Cinema

Sovjetregisseur en filmtheoreticus Sergei M. Eisenstein werkte in 1946 en 1947 - een jaar voor zijn dood - aan een algemene geschiedenis van de cinema. De manier waarop hij de geschiedschrijving van van de cinema benadert, is tegelijk fascinerend in haar ambitie en uiterst modern in haar methode. Eisenstein presenteert hier een virtuele wereldkaart van alle aan de bioscoop gerelateerde media, en ontwikkelt op hetzelfde moment een methode voor het schrijven van een geschiedenis die net als de cinema...

During the 1920s and '30s, Mexico attracted an international roster of artists and intellectuals - including Orson Welles, Katherine Anne Porter, and Leon Trotsky - who were drawn to the heady tumult engendered by battling cultural ideologies in an emerging center for the avant-garde. Against the backdrop of this cosmopolitan milieu, "In Excess" reconstructs the years that the renowned Soviet director Sergei Eisenstein spent in the country to work on his controversial film "Que Viva Mexico!" Illuminating...

Sovjetregisseur en filmtheoreticus Sergei M. Eisenstein werkte in 1946 en 1947 - een jaar voor zijn dood - aan een algemene geschiedenis van de cinema. De manier waarop hij de geschiedschrijving van van de cinema benadert, is tegelijk fascinerend in haar ambitie en uiterst modern in haar methode. Eisenstein presenteert hier een virtuele wereldkaart van alle aan de bioscoop gerelateerde media, en ontwikkelt op hetzelfde moment een methode voor het schrijven van een geschiedenis die net als de cinema...

Sergei M. Eisenstein'sPotemkin, a vivid account of the mutiny of Russian sailors on a Czarist battleship in 1905, is universally acknowledged to be one of the greatest films of all time. Until now, however, Potemkin's astonishing vividness and artistry has never been translated satisfactorily into print. David Mayer's precise, shot-by-shot re-creation of Potemkin, the product of five years' work, is unquestionably definitive. For the student, it is a complete and faithful guide to the film. For

Film Form, together with The Film Sense, by internationally renowned Soviet director Eisenstein, are regarded as classic statements on the aesthetics of filmmaking. Film Form draws together twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Among the essays are several discussions of the Kabuki theatre, 'Methods of montage', 'A dialectic approach to film form, 'The filmic fourth...

Together with Film Form, The Film Sense is regarded as classic statements on the aesthetics of filmmaking. The Film Sense draws upon Eisenstein's experience in the creation of Strike, Potemkin, Ten Days that shook the World and Alexander Ne vsky to discuss films as a more expressive and profound medium that would appeal to all the senses, as well as the emotions and the intellect. The discussion en ds with a fascinating analysis of audio-visual correspondences in a sequence fro m Alexander Nevsky...

Terwijl het Rusland van de 13e eeuw in het oosten voortdurend bedreigd wordt door plunderende Mongolen dient zich in het westen een tweede bedreiging aan wanneer de Teutoonse ridders oprukken. Ze trekken als een storm over het land en veroveren stad na stad. Als ook Pskov valt is Novgorod het laatste bolwerk dat nog overeind staat. Het is aan de heldhaftige prins Aleksandr Nevski (Nikolaj Tsjerkasov) om het tij te keren en de Teutonen een allesbeslissende slag toe te brengen. Die imposante veldslag...

Eisenstein was one of the world's greatest filmmakers, theorists and teachers of cinema. His works includes some of the most important films in the history of cinema: Battleship Potemkin, Ivan the Terrible and October. The Eisenstein Collection brings together his key writings in one volume for the first time. This edition covers the period from Eisenstein's dispute over the authorship of his first feature film, The Strike, in 1925 to his film-making and polemical activities during World War II,...

The Cinema of Eisenstein is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of the film. The director of such classics as Potemkin, Ivan the Terrible, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of the film epic. Comprehensive authoritative, and illustrated throughout, this classic work deserves to be on the shelf of every serious student...

The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his films have had on the development of cinema. Less is known about his writings, which present a continent of ideas about film. This book presents an introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema

Theodore Dreiser's dissection of the American dream, An American Tragedy, was hailed as the greatest novel of its generation. Now a classic of American literature, the story is one to which Hollywood has repeatedly returned. Hollywood's obsession with this tale of American greed, justice, religion and sexual hypocrisy stretches across the history of cinema. Some of cinema's greatest directors – Sergei Eisenstein, Josef von Sternberg and George Stevens – have attempted to bring this classic story...